
Hockney also works a lot with the edges of the various collage pieces, allowing them to form jagged lines and even stretch out away from the main cluster of images. These stylistic choices add a lot of visual and conceptual dimension to his work, something that I'm trying to do this semester. I also noticed one of the display methods used in a gallery, in which the piece was set a couple inches off the gallery wall. Since it wasn't mounted, the jagged edges formed by the individual Polaroids created a very nice shadow on the wall behind the piece. I've created and displayed a collage like this once before back in AFO, and I might look into re-visiting it this semester. It seems as if Hockney was one of the pioneers of this type of photographic work, so I'm very glad that it was recommended that I look into him.


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